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editor's note
Editor's Note
This is long, so brace yourself (so is the issue). What’s new.
Why Don Johnson sucks and Magnum rocks, and the confounding question of heliotrope vs garlic (see Henry James, our back cover).
Magnum’s Hawaiian shirts and tight ass shorts may be out of style—but no matter what year, whatever bad movie, series, or “other” Don Johnson vehicle, his sleeves are always rolled up—whether he is wearing a tee-shirt, sports jacket, or Madras shirt, and whether it’s ‘78, ‘84, or 2000.
Magnum = Ferrari: Let’s get this straight—this is the first time that a foreign car is used in an American TV series, and every time he pulls away from Higgins or a Divorceé, the theme song plays. (Composer name). Even when he has amnesia or “that little feeling”. Magnum, and let’s understand, Robin Master’s Ferrari, have been resurrected by A & E. 11:00 & 5:00 daily.
In god knows what, Don Johnson, the character, always has a vintage American car that becomes the new “resurrection” mobile—completely unavailable and unaffordable to a person of his character’s tax bracket—and he is immediately seen driving illicitly to someone half his age’s house either from Baywatch, Party of Five, or better yet, the namesake for the long forgotten 1/2 hr ‘80s soap Ryan’s Hope. Music provided. Do you remember the Miami Vice theme song much less that to Nash Bridges? Nash Bridges is now a nightly staple of the USA network.
Reruns. It’s so weird when they rerun things before they are even old—not old—but historic. Somehow Don Johnson is never old or historic—he is a fossil getting remarried to Melanie Griffith, Tippi Hedren’s (from Hitchcock’s The Birds) daughter, and anyone else from Baywatch or Aspen. He’s the remarried fossil. But then maybe that’s gossip.
Magnum is just getting “not” married on Friends and/or some new Political TNN project probably based on gossip and/or Clinton and/or Kennedy and/or a combination of the two. Perfect for a Ted Turner production—especially post Jane.
Segue: in New York everyone rewrites their own history: Don, Magnum . . . Jesus Christ! Ashley Bickerton has been 32 since I moved to New York and I was 21 in ‘86. Seriously, it was reported in the New York Times that he is 32 from ‘87 to ‘97. I don’t get it.
Back to Magnum vs Don Johnson.
Magnum’s friends are dope. Real people who whenever something goes down, miraculously figure it out, and come to his aid. But Magnum is not real.
Don’s . . . are out fucking Antonio Banderas (need I say more). And they are real. On the cover of Paper.
Have I become a Conservative . . . nooooo.
Just a diehard (great Sears product & Willis enthusiast) Magnum fan, and Don Johnson critic . . . So, now, heliotrope or garlic—and from where the quote is derived; The Next Time. Henry James. Edda James, Olga James at the Moulin Rouge—on the cover. James—the same, but only because of a surname or even further—the type. The surname or new type “James”—not nearly anything one can recognize as yours or ours—but how about the prename: “James”. The new super model, not be confused with our historical author, blues legend, or long lost songstress, much less our two ‘80s “Super Heroes”. Names and characters. There—something about the identity of one name type and what it signifies: heliotrope or garlic (what could be the plural of heliotrope, much less, what does it mean—and the significance of its dominance over garlic?). To Tell the Truth—which contestant fools the audience vs those easily figured as impostors. Which “James” will stand up? Which Magnum? Which heliotrope?
Our curated projects stand up. Surprise, frolic, excavation, presentation. This zingmagazine does nothing its previous issues haven’t, but continues what can only be determined as, yes, a search for heliotrope or garlic. The recognition or choice is yours.
“Of course I was under the spell, and the wonderful part is that, even at the time, I perfectly knew I was.”
—Henry James, The Turn of the ScrewDevon Dikeou
New York, New York
2000 -
curators' notes
Curators' Notes
RETinevitable 2, a collaborative effort between Adam Levitt, Francine Hermelin, and David Levine is an immersive proto-cinema event that will occur in a location to be announced within the next year. Part one occurred in the Brooklyn Bridge Anchorage in ‘98. RETinevitable is a fusion of contemporary film, visual arts, architecture, music, and design cultures. Participants past, present, and future include Spike Jonze, Doug Aitkin, Sam Taylor-Wood, Harmony Korine, Paul Thomas Anderson, and Lot/ek among others. The images in this issue of zing are from Antonioni’s Zabriskie Point. Photo credit: Sean Dack.
Leon Fuller is thirty years old. His latest show was at Richard Heller Gallery in April and is also represented by the Richard Heller Gallery.
FOUR IS A FOUR LETTER WORD
WE ARE AS FOURWE ARE NOT
NOT A COMPANY
NOT FASHION
NOT A TRENDNOT FREAKS
NOT MARIONETTESNOT A CHOICE
NOT AN IDEA
NOT TWO COUPLES
NOT ALONENO DOUBT
NO SEASON
NO FAMILY
NO FRIENDSNO RUSSIAN
NO GERMAN
NO JEW
NO ARABNOT EUROPEAN
NOT AMERICAN
WE AREWE ARE FASHION
WE ARE 20 FOUR HRS
US FOUR
WE ARE TOGETHER
YOUNG BEAUTIFUL
AND TALENTED
THAT’S WHY
WE ARE HERE
LOVING FOUR CATS
SUNNY PLUM
PIERROT COKA
AND ONE DOG
POWDERWE ARE
WE ARE
WE ARE
WE ARE ALIVE
WE ARE AS FOUR
AS FOUREVERTom Rayfiel’s novel Colony Girl (Farrar, Straus & Giroux) was selected on of the Los Angeles Times “Best Books of The Year”. It will be published in paperback this November, by Picador.
Brian DeGraw was born in Norway on the coldest night of Winter, 1974. He is an incurable manic depressive and an avid collector of all things morbid. He currently lives and works in a 6’x 6’ cardboard box in lower Manhattan.
Oneil Edwards August 4th, 2000. Drunk on yak and blasted off the good collie weed, Oneil awakens to find his long time protege, Skyler Moore, dead. The shock of the loss propels him into a terrifying new world where love and happiness have been replaced by pride and ambition. The architecture sucked.
Ben Satterfield is a social critic whose commentary, fiction, poetry, drama, reviews, and cartoons have appeared in scores of periodicals from whimsical to the literary and from the popular to the scholarly.
Sari Carel “ . . . it’s all about sex . . . ”
smeeec@aol.comIdealogue = Jacqui Millar + Mark Bromhead
Dan Asher, a p-gragher “presently living” in the new New Yawk City aka goat’s town (Gotham) provides a shakily quick purview of a world championship woman’s boxing match in Antwerp, Belgium.
Artist and curator Kenny Schachter has been organizing exhibitions of emerging artists for 10 years. His most recent show, entitled “I Hate NY” was staged in a London storefront in May/June of 2000.
orfi the organization for the returning fashion interest (aka orfi), operates out of the sub-level of Hotel of the Rising Star, a retail outlet at 13 Prince St where their clothes and shoes are sold. Other warez can be seen and purchased at www.hoteloftherisingstar.com.
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masthead
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James Fuentes
RETinevitable: Essential Cinema
James Fuentes
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Leon Fuller
TV Drawings
Leon Fuller
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As Four
PUPPEN COUTURE
As Four
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Thomas Rayfiel
Lutwidge Finch: Part IV, Chapter 9
Thomas Rayfiel
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Brian DeGraw
Hopelessly Impaired
Brian DeGraw
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Oneil Edwards
Coming into being
Oneil Edwards
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Ben Satterfield
BIG BROTHER DOESN'T WANT YOU (but maybe you can fool him)
Ben Satterfield
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Sari Carel
Follies
Sari Carel
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Jacqui Millar & Mark Bromhead
Idealogue
Jacqui Millar & Mark Bromhead
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Dan Asher
Junior Welterweight Championship
Dan Asher
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Kenny Schachter
Full Service
Kenny Schachter
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zingmagazine CD #1: Kenny Schachter
I Used To Hate New York
zingmagazine CD #1: Kenny Schachter
1. Kenny Schachter - "I Used To Hate New York"
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The Reflections, The Reviews, The Reactions
The Reflections, The Reviews, The Reactions
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zingmagazine book #2 Orfi
Angel Meadow
zingmagazine book #2 Orfi